Newsletter / 11 janvier 2022

The French National Assembly adopted the bill to regulate and protect access to cultural and artistic works in the digital age

Article by, Football Legal, December 2021


The French National Assembly adopted the bill to regulate and protect access to cultural and artistic works in the digital age on 29 September 2021. On 21 October 2021, the Constitutional Council ruled that some provisions of this Law were contrary to the French Constitution, although none concerned anti-piracy mechanisms (Cons. const., Decision no. 2021- 826 DC, 21 October 2021). Therefore, as of 1 January 2022, organizers and broadcasters will have at their disposal very useful tools to fight against the illegal broadcasting of sports events.


The singularity of piracy is due to several aspects.

First, technically, piracy is not just a matter of websites that broadcast sports competitions without authorization. Many showcase sites contain many hyperlinks, which point to hosting platforms, which allow both the creation of streaming channels and the storage of pirated content on servers. These servers are rented or sublet from technical hosts or countless intermediaries, generally located in legal havens.


Temporally, judges cannot respond in real-time to requests from right holders who have noticed a match’s live broadcasting. The temporality of the French judicial system and the temporality of live broadcast piracy are incompatible.


Finally, legally, pirates are anonymous or difficult to identify and their “visible” intermediaries (technical hosts, registrars, Internet access providers, etc.) are as uncooperative as they are quick to invoke the lighter liability of the hosts to refuse to comply with the requests of rights holders. However, as far as streaming is concerned, withdrawal or blocking measures must be taken in real-time (during the broadcasting of the pirated content). Otherwise, they are of no use.


The adoption of this bill is a reward for the continuous efforts made for almost a decade by rights holders to protect the value of audiovisual rights, which are the main source of funding for French sports. Every consumer who turns to illegal streaming mechanically turns away from a paid legal offer to the right holders’ detriment. The music industry encountered this phenomenon at the beginning of the 2000s with the appearance of Napster and everyone is now able to measure the consequences.


For all these reasons, the adoption of this law and its salient measures presented below are to be welcomed.


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